2013 Academy Awards
Feb. 25th, 2013 08:55 pmThe thing you have to understand about the Oscars is that I understand the Oscars. It's a big media fest that movie producers invented as a combination circle-jerk and advertising generator.
I'm OK with this.
You see, I like the Oscars. I like the fashions; I like the song and dance numbers; I like the speeches; I like the whole bloated excess of it. I even liked Seth MacFarlane. Was he a misogynistic asshole? Oh yes. Did I still laugh at his jokes? Oh yes.
What can I say - I can find something funny while also finding it offensive. This isn't surprising: it is the main philosophy behind every one of his programs. I generally only watch episodes of Family Guy/American Dad/The Cleveland Show once, because the shocked surprise of some of his jokes can only be conveyed once.
The trick to enjoying rude things? Knowing where you are. I've told some awfully prejudiced jokes in my time and my defence of that is simple - what happens in bars should stay in bars. It's a little like enjoying Las Vegas - you really need to accept the wrongness of it if you are to have any hope of enjoying yourself. Some people can do it, others can't. But make damn sure you're not inadvertently offending those around you.
I enjoy the Oscars by holding an annual Oscar party. Some years hardly anyone shows (I think there were three people at the "party" last year and I once had only two, back in the days of Ggothic Towers), others I get a full house. This year was a full house. Possibly this was due to the promise of exotic cheese and liquor, but I don't think so. Everyone seemed to have a great time and I like to think they'd have shown up even if the offerings were Bud Light and Velveeta-on-saltines. Or rather, they'd have been there, but they wouldn't have consumed anything quite that awful.
So how were the Oscars as compared to ceremonies past? I'd say this one was solid. It benefitted from a lot of the streamlining that has been tried over the last ten years to keep the show on time. Seth MacFarlane did what he was hired to do - generate some controversial buzz in a way that made him the designated target over the Academy itself. Will they use him again? Possibly, he does have the stage presence, good looks and a resonant voice that any decent emcee should have. They won't do it this year though - there's a lot of other people whom they'll want to try first - for example, Tina Fey and Amy Poelher, or Neil Patrick Harris. Hell, I'd like to see Hugh Jackman and Ann Hathaway co-host. Or George Takei!
In the end, there will never be an Oscar as good as they'd like because they don't know who's going to win. That element of surprise is always going to bite you in the end. At the same time, it's what gives the Oscars it's memorable moments that are talked about for years to come. But there's an upper limit to how much that will help since they want those golden moments, but not the risks associated with real controversy. Sure, you can do one-handed push-ups on stage, but god help you if you're a minor award winner attempting to talk about something controversial - the first few rows might hear you, but all the billion or so TV viewers are going to hear is a swelling orchestra.
And so my enjoyment of the Oscars is akin to playing offensive card games - something you do in private with a lot of like-minded friends who are also in on it. Last night I had a lot of like-minded friends - to the point where we missed about 30% of the show because people were gabbing or laughing so loud - and that made it a great night.
I'm OK with this.
You see, I like the Oscars. I like the fashions; I like the song and dance numbers; I like the speeches; I like the whole bloated excess of it. I even liked Seth MacFarlane. Was he a misogynistic asshole? Oh yes. Did I still laugh at his jokes? Oh yes.
What can I say - I can find something funny while also finding it offensive. This isn't surprising: it is the main philosophy behind every one of his programs. I generally only watch episodes of Family Guy/American Dad/The Cleveland Show once, because the shocked surprise of some of his jokes can only be conveyed once.
The trick to enjoying rude things? Knowing where you are. I've told some awfully prejudiced jokes in my time and my defence of that is simple - what happens in bars should stay in bars. It's a little like enjoying Las Vegas - you really need to accept the wrongness of it if you are to have any hope of enjoying yourself. Some people can do it, others can't. But make damn sure you're not inadvertently offending those around you.
I enjoy the Oscars by holding an annual Oscar party. Some years hardly anyone shows (I think there were three people at the "party" last year and I once had only two, back in the days of Ggothic Towers), others I get a full house. This year was a full house. Possibly this was due to the promise of exotic cheese and liquor, but I don't think so. Everyone seemed to have a great time and I like to think they'd have shown up even if the offerings were Bud Light and Velveeta-on-saltines. Or rather, they'd have been there, but they wouldn't have consumed anything quite that awful.
So how were the Oscars as compared to ceremonies past? I'd say this one was solid. It benefitted from a lot of the streamlining that has been tried over the last ten years to keep the show on time. Seth MacFarlane did what he was hired to do - generate some controversial buzz in a way that made him the designated target over the Academy itself. Will they use him again? Possibly, he does have the stage presence, good looks and a resonant voice that any decent emcee should have. They won't do it this year though - there's a lot of other people whom they'll want to try first - for example, Tina Fey and Amy Poelher, or Neil Patrick Harris. Hell, I'd like to see Hugh Jackman and Ann Hathaway co-host. Or George Takei!
In the end, there will never be an Oscar as good as they'd like because they don't know who's going to win. That element of surprise is always going to bite you in the end. At the same time, it's what gives the Oscars it's memorable moments that are talked about for years to come. But there's an upper limit to how much that will help since they want those golden moments, but not the risks associated with real controversy. Sure, you can do one-handed push-ups on stage, but god help you if you're a minor award winner attempting to talk about something controversial - the first few rows might hear you, but all the billion or so TV viewers are going to hear is a swelling orchestra.
And so my enjoyment of the Oscars is akin to playing offensive card games - something you do in private with a lot of like-minded friends who are also in on it. Last night I had a lot of like-minded friends - to the point where we missed about 30% of the show because people were gabbing or laughing so loud - and that made it a great night.